Kuinka

Kuinka

Cumulus

Sat, April 27, 2019

Doors: 7:00 pm / Show: 8:00 pm (event ends at 11:00 pm)

$10.00 - $15.00

This event is 21 and over

For VIP booth rentals please email rachel@jazzbones.com

Kuinka
Kuinka
"An electronic jolt into modern folk and Americana, waltzing along the grooved edges of dream-pop, synth-pop, and Brooklyn’s mid-aughts guitar-rock revival." -Vanyaland

"Joyous folk pop" -NPR Music

"Seraphic vocals bookended by ukulele, cello & heavy percussion will leave you feeling giddy & glad to be alive." -The Stranger

The name Kuinka (coo-WINK-uh) comes from the Finnish for “how”; how does a band bristling with spirited creativity continue to evolve artistically and challenge themselves while staying true to their own roots? For Kuinka, the answer comes in the form of letting go: a joyful acquiescence to their cumulative love of songwriting and shared experience, regardless of genre or instrumentation. Brothers Zach and Nathan Hamer, along with Miranda Zickler and Jillian Walker, came together in 2014 to form a unique breed of string band; one proudly defiant of preconceived notions of what fits under the label 'Americana'.
Their 2014 debut The Wild North, which propelled the band out of the woods and on to stages across the country, was followed by their 2016 breakout LP The Heartland. Both albums were recorded at the famed Bear Creek Studio in Woodinville, WA (Fleet Foxes, Metric), and led to featured performances at dozens of festivals and several successful national headlining tours.
Home from touring The Heartland, all four found themselves in the midst of major life changes both as people and as artists; moving out of the house they‘d shared for the previous two years to new cities and broadening the total palette from which they draw as musicians. After fleshing out new songs in rehearsal, the band headed to a studio near Portland, OR with the trusted ears of longtime producer Jerry Streeter (Brandi Carlile, The Lumineers). The quartet was joined in the studio with their touring wizard of the woodwinds John Benefiel who handled clarinet and saxophone.
The songs on their forthcoming release Stay Up Late ring with the vibrancy of exploration and discovery. “We’ve spent our time as a band in pursuit of a unique sound that captures our energy and essence” says Zickler. “We’d love for our music to be a soundtrack to adventure. Our biggest goal as a collective is to fight the trend of apathy -- to infuse everything we do with a sense of joy, and to affect positive change in the world to the best of our ability.”
Cumulus
Cumulus
The name came first. Comfort World—borrowed from a mattress store sign Alex Niedzialkowski (nee-jul-KOFF-ski) saw on a trip to Yakima. Her then-boyfriend was accompanying her and she took the sign as an omen of bliss. The long running configuration of her band Cumulus had broken up, leaving her unsure of herself. “I felt completely overwhelmed and insecure in everything,” Niedzialkowski explains. “I questioned whether I’d ever be able to find my people again, let alone write another album.” But the relationship, the apartment she and her boyfriend shared and the day job that enabled it all, were their own kind of Comfort World. They kept her safe while she tried to sort things out. Until they didn’t.
Things hit hard and fast: the relationship crumbled, the day job evaporated, the apartment was emptied and cleaned for the sake of the deposit, and she got word that her mother had developed breast cancer. If there was comfort to be found anymore, it eluded her.
But Niedzialkowski is fundamentally, inescapably, a songwriter. So she started writing again. What else was there to do? “Basically, this entire world that I had built around myself was crumbling apart,” she says. “Comfort was complete bullshit. I spent a lot of time in my bedroom, writing these songs to get me through it.”
As she wrote, she sought out bands fronted by or comprising women and non-binary musicians. They made her feel empowered to say what she wanted to say, and reassured her that she wasn’t alone. She started playing open mic nights at a cafe near her apartment, tentatively at first—the way everything feels tentative when your life is in an uproar—but then with mounting confidence. After accruing songs, she felt ready to begin recording Comfort World, her second record for Trans Records. On the advice of label head Chris Walla, Niedzialkowski went in the studio with 21 year old producer Mike Davis, Walla’s former intern.
Immediately, it was clear that the process of recording Comfort World would be different than any other record that Niedzialkowski had been involved in. For one, Davis demonstrated an intuitive knack for fleshing her acoustic iPhone demos out into full-fledged compositions. More importantly though, Davis believed in her, at times more than she believed in herself. “From day one, Mike was asking me to play instruments I’d never played, and asking me to try out new ideas, as if he had full confidence I could do it. It was my first time feeling like that in a studio environment.”
I Never Meant It To Be Like This, the first Cumulus record, was recorded over four days almost exactly as it had been arranged. Comfort World, by contrast, was languid, recorded over the course of seven months at Walla’s studio, Hall of Justice. Niedzialkowski brought in a crew of friends to fill out the album. There was time to play, experiment and chase the song. In the warm cocoon of the studio, surrounded by Mike and her friends, she felt as though she could do anything. “Over the years my voice had grown stronger, my songwriting had a clearer direction, and I had finally found myself in a place where I was empowered to have a say in every creative decision. Musically this album is more me than anything I’ve ever created,” says Niedzialkowski.
The events of the recent year had shredded her and making Comfort World wove her back together. Maybe that sign in Yakima was an omen after all; it was just pointing further afield than she could have imagined.
Venue Information:
Jazzbones
2803 6th Avenue
Tacoma, WA, 98406
http://www.jazzbones.com/